Since the start of the Covid-19 pandemic, the United States has stood out for its failure to contain the virus’ spread. Meanwhile, governments in places such as Vietnam and China (after its initial attempts to conceal the existence of the virus) have been noted for the ways in which they have stopped the spread of Covid-19 within their borders. Given that Vietnam and China are both authoritarian countries, and the United States, a democracy, the popular idea has arisen that authoritarian governments are better at adequately preventing the spread of the virus. However, this is false. It is the quality of the institutions that matter, not the type of government.
Fox News, CNN, and MSMBC consist leading cable news in the United States in 2020, a mix of liberal and conservative.  Chosun Ilbo, Joongang Ilbo, Dong-a Ilbo are the three most highly circulated newspapers in South Korea, all three of them conservative. As a native Korean, I’ve always wondered how the US has such successful liberal media outlets. Now, as an international student surrounded by peers from all around the globe, I’ve realized the real question is why all South Korea major media outlets are conservative.
It would be the understatement of the century to say that the COVID-19 pandemic has negatively disrupted nations’ economies. In the Southeast Asian region, where economies are considerably dependent on tourism, economic recovery has been particularly brutal. However, many of these Southeast countries have compromised democratic ideals to revive the economy. For example, Thailand has expanded upon the government’s emergency powers, and Indonesia has enacted procedures to curtail expressions criticizing the government’s COVID-19 response. These actions are worrisome to democracy promoters, but the question remains: is it necessary to limit freedom in times of emergency?
Since the 1980s, Hollywood films have become an artistic manifestation of American economic dominance. The industry’s major distributors have been able to leverage U.S. foreign power to pave the way for a new international market in countries that have historically shielded their domestic film industry. In 2019, the international box office hit a record $42.5B with Hollywood films comprising 73% of grosses.  However, Hollywood’s global power is not without cost. To meet international film-production laws, Hollywood sacrifices artistic autonomy.
In a 2019 interview with Time, North Korean diplomat-turned-defector Thae Yong-Ho boldly predicted, “Materialism will one day bring change.”  Like Thae, many North Korea watchers are betting on the power of pop culture and its ability to take down a 75-year-old regime. But is North Korea’s trajectory really pointing toward collapse? And if so, does the credit for that go to Korean dramas, K-Pop, and other flows of outside information? The short answer: no, and no.
Three years ago, the world was shocked to learn the news of the attempted ethnic cleansing of the Rohingya, a minority Muslim group primarily residing in the majority-Buddhist nation of Myanmar. In August of 2017, Myanmar military forces began entering Rohingya villages at random, killing indiscriminately and then leveling their structures to the ground. Global outcry quickly followed. Despite a sharp decrease in media coverage, the crisis is ongoing in 2020. In light of the political and public health firestorm of 2020, what does the future hold for this particularly vulnerable population?
Hong Kong, returned to China from British colonial government in 1997, maintained its prosperity and economic status under the “one country, two systems” framework. Although the Chinese government promised people of Hong Kong high autonomy, including an independent legal system, continued capitalism, and access to international institutions and conferences, protests against Chinese governance have been occurring since March.
A major feature of contemporary humanitarian aid is the idea that it is an apolitical embodiment of human good and compassion, one which transcends all ideologies and cultures. It is from this delusion that many of the inadequacies of the practice stem.
While Realism accounts for a large portion of China’s motivations, first and second level analysis, constructivism and feminism help explain the timing, magnitude and issue of alternatives to Chinese land reclamation activities.
Most developed nations are currently facing post-Great Recession economic sluggishness that has responded inadequately to both traditional fiscal and monetary policy tools. While the sources of this crisis lie in a vast array of social, political, demographic, and economic problems, one key issue for East Asia, in particular, is consumer spending.